History As Fiction

Posts from this point forward will be for History As Fiction, Spring 2020

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The Men Without Skin

In Beloved , the central scene of the novel, Sethe’s killing of Beloved herself and her attempt to kill the rest of her children, is first narrated from the perspective of “the men without skin”, Schoolteacher, his nephew, the slave-catcher, and the sheriff. But why? Why change our perspective to that of a character completely isolated from everyone else, who believes our characters to be profoundly inferior and worth only what he can extract from them?   And then, why does this happen again at the end of the novel? Why does Morrison switch again to the perspective of a (very different) white character for the scene of Beloved’s disappearance? In both cases, the radical switch in perspective massively alienates the readers from the characters we have spent the rest of the book with. We are forced to see Schoolteacher’s thoughts from his perspective, forced immediately to understand why he makes the decision to abandon all of the children along with Sethe. This is i...
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Kindred

At the end of Octavia Butler’s novel Kindred , Dana is permanently crippled by a touch from Rufus Wainright. While Rufus has hurt Dana before, his grabbing of her arm at the end of the novel is the first time that Dana comes to severe harm as a result of her time travel. She had been concerned about other potential forms of harm, but always either caused by the need for fear-of-death to remove her from the 1800s, or caused by the dizziness associated with her trips into the past. She did have concerns about the possibility of momentum-transfer from being in a car while going back to the past, but, while similar to what happens to her with Rufus, the effect is not entirely the same.   When she returns to 1976, her arm is physically merged into a wall in that time, a wall which obviously did not exist in the 1800s. Unlike the potential for momentum transfer, Dana was not near a wall in a way which could’ve caused the injury. Instead, it is Rufus’ attempt to hold her back, and th...
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Egypt and the Atonists

In both Doctorow’s Ragtime and Reed’s Mumbo Jumbo , Egypt appears to play an important role in our understanding of the main plot. Note: probably some slight spoilers for Mumbo Jumbo ahead, as, while the pieces are all there, the book hasn’t put it together for us yet.   In Ragtime , Egypt is the ultimate destination of J.P. Morgan, where he seeks to find proof of the reincarnation of the fittest, and potentially a secret society of others who understand their power in this world. Morgan sleeps overnight in a pyramid alongside the long-dead Pharaohs, attempting to establish a connection between himself and them.   Ragtime also points out a wider trend towards Egyptology in the early 1900s, an obsession with Egypt and the rediscovery of that part of the Ancient World. The family gets Egypt-themed wallpaper, and so on.   In Mumbo Jumbo , we know that at least one secret society really does exist, the Wallflower Order. We also know that they too are ...
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